Thursday, September 30, 2010

How to Handle Remarkable Literature: The Opinionated Views of “Heart of Darkness”

Marianna C. Ford
English 105
Professor Timmons
September 29, 2010
How to Handle Remarkable Literature: The Opinionated Views of “Heart of Darkness”
            Published in 1899, Joseph Conrad’s controversial novella Heart of Darkness still stirs up mixed emotions in the hearts of those who have read his book. Some of these feelings towards Conrad’s literature are harsh and critical while others view his work as captivating and ingenious. Chinua Achebe’s article An Image of Africa: Racism in Conrad’s “Heart of Darkness” and J. Hillis Miller’s article Should We Read “Heart of Darkness”? stand as two good examples of each side of the argument: Achebe having a more critical view of Conrad’s novella and Miller having more of a respect for it. Both articles use suitable examples to support their claims and opinions of Conrad and his novella but I believe Miller’s interpretation and assessment of how the book should be handled makes a stronger and more validated argument than Achebe’s article.
            Chinua Achebe’s article An Image of Africa: Racism in Conrad’s “Heart of Darkness” features the negative treatment of the native Africans in the Congo and the opinions and views Marlow had of the natives. Achebe bluntly conveys the purpose of his essay, saying “The point of my observations should be quite clear by now, namely that Joseph Conrad was a thoroughgoing racist” (Achebe 343). Achebe’s opinions in his article reveal his belief that the fictional character Marlow had viewpoints and attitudes towards the Africans that were actually transposed feelings of Conrad asserted through the novella. Achebe expresses this perception of Heart of Darkness when he said, “The kind of liberalism espoused here [reference to quote] by Marlow/Conrad…managed to sidestep the ultimate question of equality between white people and black people” (Achebe 342-342). The structure of Achebe’s article and his defense of the Africans are respectable until he said, “Certainly Conrad had a problem with niggers” or “his [Conrad’s] fixation on blackness” or “Whatever Conrad’s problems were, you might say he is now safely dead” (Achebe 345). I do not believe it is a fit action to make assumptions that the views of Marlow in the novella can be associated with the views of the author, Joseph Conrad. Heart of Darkness is a fictional book, not a journal entry.
            On the other side of the spectrum J. Hillis Miller proposes the question: “Should we read Heart of Darkness” (Miller 463)? Miller is neither condemning of the book or of Conrad, the author. When giving his opinion of the novella Miller does not condone the Europeans actions but rather counters their attitude as to why they should not act the way they do. Miller makes a statement crediting the Africans and bringing light to the reality of the situation in the Congo: “Though it may be racist for Marlow (not necessarily Conrad, the reader should remember) to see the Africans as…simple ‘savages’ or ‘primitives,’ when their culture is older than any European one and as complex” (Miller 468). The main strength in Miller’s article is that he pulls himself away from any bias and respects the book for its literary attributes and puts the story into context.
            The primary difference between Achebe’s and Miller’s article is the approach they take in addressing the issues found in Heart of Darkness. Achebe takes the fictional novella and accuses Conrad as being a “thoroughgoing racist” while Miller views the book as a literary masterpiece and accounts all the racism within it as the context in which it was written. One cannot directly connect the beliefs of a fictional character with the beliefs of the author unless given clear reason to. Achebe discredits his argument by interchanging Marlow’s racism with Conrad’s own convictions on the subject whereas Miller’s article addresses Heart of Darkness as a literary work not as a journal entry or some personal account of Conrad’s.

Works Cited

Achebe, Chinua. "An Image of Africa: Racism in Conrad’s Heart of Darkness." Armstrong. 336-348.
Armstrong, Paul B., ed. Heart of Darkness. New York: W.W. Norton & Company, 2006.
Miller, J. Hillis. "Should We Read Heart of Darkness?" Armstrong 463-474.

Monday, September 27, 2010

Power without Restraint: Conrad Reveals the Dark Side of Man's Heart

Marianna Ford
English 105
Professor Timmons
September 18, 2010
Power without Restraint: Conrad Reveals the Dark Side of Man’s Heart
            Joseph Conrad’s novella Heart of Darkness highlights the harsh realities of Europe’s colonization in Africa and how power without restraint can turn even the most civilized into savages. While navigating a steamboat through the heart of the Congo jungle to find Kurtz, Marlow meets native savages who turn out not to be so savage and finds that the civilized Europeans are not quite as civilized as perhaps they once were. Unchecked authority in a vast “God-forsaken wilderness” can show the true motives of the heart of a man in command (13). Power without restraint reveals the dark side of man’s heart who is not subordinate to the civil pressures of society or to the authority of another human being.
            In the beginning of the book it is apparent that the European men have been influenced negatively by power without restraint and by the preeminent jungle. Early on in Marlow’s journey of becoming a captain of a steam boat in the Congo he finds he has received the job due to the passing away, or better described as murder of, the last captain, Fresleven. Months after Marlow has already received his appointment, he is cruising down the river and decides to investigate deeper into Fresleven’s death. He finds out Fresleven had already been in the Congo for two years when he claimed a bargain involving two black hens with a native chief went bad (9).  He resolved to attack the chief with a stick and was in return killed by another villager with a spear between his shoulder blades. Marlow addresses the brawl between the two men with a cynical tone saying “he had been a couple of years already out there engaged in the noble cause, you know, and he probably felt the need at last of asserting his self-respect in some way” (9). In the early twentieth-century Europe it was obviously not considered civil or acceptable in any manner to settle a bargain, especially for two hens, through violence and ultimately death. So then why would a civilized European man resort to such an action? The cause is found in the freedom of his business and in his use of authority without limitations.
            An indication that man has been pushed outside the boundaries of civility due to unrestrained power is when he commits an action without any clear or reasonable explanation or motive.  Marlow tells of a trek he had taken with the natives on one of the many paths between Deal and Gravesend. Along the way he encountered a white man camping beside the path with an armed group of Zanzibaris, native Africans from the east coast (20). Marlow depicts the group as “hospitable and festive,” which was not a common sight in such a cruel and “God-forsaken wilderness” (20, 13). The white man declares himself and his group as upkeepers of the road. Marlow assesses the group and the man’s claims: “Can’t say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet hole in the forehead upon which I absolutely stumbled three miles farther on may be considered as a permanent improvement” (20). The combination of an unusually jolly party of men and the lack of reason for the murdered negro gives cause and inclination that the white man camping along the path took advantage of his unrestrained power.
            While Marlow is on his expedition to find Kurtz he makes a stop to talk with the manager, one of the many men who have been affected by the unchecked power and immense wilderness for too long. Upon his arrival Marlow surveys the manager as a man of average looks and qualities except for his eyes which have an extra component: a harsh, brutal, and cold component. Marlow tries to describe the manager’s expression but admits it is unexplainable; all he can illustrate of the man’s features is the stealth and unconsciousness in his lips (21).The manager had worked in the Congo since he was a youth and was the only work he had ever done. Marlow concedes that there was not anything special or genius about this manager but that he was without a doubt “great” (22). In thought of this manager Marlow says “it was impossible to tell what could control such a man. He never gave that secret away. Perhaps there was nothing within him. Such suspicion made one pause—for out there there were no external checks” (22). Marlow was not quite able to put his finger on what made this man great yet also incredibly eerie at the same time. The manager had far too long been disconnected from society, from civility. He had let unrestrained power control him taking away his emotion, leaving him with “nothing within him” as Marlow describes (22).
            Authority without boundaries can tempt a man to actions that do not seem fit for the situation. Upon the extensive journey to Kurtz’s inner post of the Congo Marlow and his crew find him to be in grave condition and near to death. Disappointed due to his ill state, Marlow pulls from his external fixations on the mystery of Kurtz to his own internal struggles of having been a part of an “unsound method” and feeling as though he was buried in “unspeakable secrets” (62). As he is sinking deeper into these thoughts, the Russian interrupts his introspection to give insight on a specific action of Kurtz. The Russian confides in Marlow that as a fellow seaman it is only right that he inform him of an action committed by Kurtz. The Russian was cautious to explain that it is in Marlow’s best interest that he know but he intends to protect Kurtz reputation. Marlow agreed that upon his learning of the information he would guard his status. Near the beginning of the voyage to the inner station, Marlow’s steamboat had been mysteriously sunk without explanation, but it soon became clear as to the means that the boat had been sunk. Marlow tells of when the Russian enlightens him about previous actions of Kurtz’s: “He informed me, lowering his voice, that it was Kurtz who had ordered the attack to be made on the steamer…‘he [Kurtz] thought it would scare you away’ (63). The typical civilized European man would not sabotage his own people. Kurtz had been unsupervised and all powerful within his station for too long, leading him to commit actions that are out of the realms of civilized. Kurtz was a savage.
            The International Society for the Suppression of Savage Customs gave Kurtz the opportunity to write a report for the society’s future guidance. Marlow had been impressed with the piece of writing for its length of seventeen pages and the eloquence it had be produced with (49). In response to the newly obtained perspective of Kurtz and how his “nerves went wrong,” Marlow reflects back to the report: “He began with the argument that we whites, from the point of development we had arrived at, ‘must necessarily appear to them [savages] in the nature of supernatural beings—we approach them with the might of a deity’” (49-50). Any man in a position of authority who refers to himself or his race as a “deity” will undoubtedly sow disaster in the wake of his rule. No individual man should have, or think he has, the power, control, or dominance of a deity.
            Irrational stunts that no other man has control over is a signal that unrestrained power has driven a man from his civility; his sanity. Still not fully informed of who Kurtz is, Marlow listens to all the Russian has to say about this Mr. Kurtz. The Russian appears to have this admiration and great concern for Kurtz especially since he has become sick once again and is in grave condition. He keeps reiterating that you cannot “judge” Kurtz as you would an “ordinary” man; the Russian defends Kurtz’s reputation (56). Marlow is completely convinced that Kurtz is no ordinary man when the Russian reveals an experience he had with him: “‘He [Kurtz] declared he would shoot me unless I gave him the ivory and then cleared out of the country because he could do so, and had a fancy for it, and there was nothing on earth to prevent him from killing whom he jolly well pleased’” (56). Only a leader who has been cut off from society, given power without limitations, and has turned to savagery would threaten to shoot a man for a small lot of ivory or kill because “he had a fancy for it” (56).  Kurtz is a prime example of a how a person ruling with unchecked power can abuse his sovereignty. He turned from civility to barbarity.
            A village under the rule of a leader whose power is unrestrained will reflect how he has managed his people. Marlow came to find that Kurtz’s approach to leadership was less than humane. In conversation with the Russian about Kurtz’s fatal condition, Marlow observes the posts of a decayed fence with rounded tops. The closer Marlow and the Russian draw near to the poles the more clear it becomes that the rounded tops of the posts are not “ornamental but symbolic” (57).  Marlow described what he saw: “striking and disturbing-food for thought and also for vultures if there had been any looking down…there it was black, dried, sunken, with closed eyelids—a head that seemed to sleep at the top of that pole” (57). Kurtz took the heads of the “rebels” and placed them at the tops of posts as a warning to any other person who would dare to resist his rule (58). Kurtz proves that without the pressures of society and civilization on a man, he will abuse his power, resulting in unfair treatment to those under his rule.
            Authority without limits or checks gives a leader the freedom to rule however he may desire. This kind of power of reveals the true condition of a man’s heart. Kurtz and other men of control in the Congo were given the opportunity to lead with unrestrained authority ultimately exposing their hearts. While this novella was written in the late 1890’s its message of the effects of unrestrained power are still relevant to today’s society and leaders. The real side of a man’s or woman’s heart will be shown when they are presented with the opportunity to rule with unchecked power. It is obvious to see that when Kurtz was given the opportunity to rule an inner station of the Congo, that he took advantage of his control and influence and in due course revealed the true of his heart. Unrestrained power under the control of a leader with a heart of darkness will eventually lead to destruction as Kurtz best exemplified.

Work Cited
Conrad, Joseph. Heart of Darkness. Ed. Paul B. Armstrong. W. W. Norton: New York, 2005.

Sunday, September 19, 2010

Introduction Paragraph to HOD paper :]

Marianna Ford
English 105
Professor Timmons
September 18, 2010
Power without Restraint: Conrad reveals the Dark side of Man’s Heart
            In Joseph Conrad’s novella “Heart of Darkness”, he highlights the harsh realities of Europe’s colonization in Africa and how power without restraint can turn even the civilized to savage. While navigating a steam boat through the heart of the Congo jungle in mission to find Kurtz, Marlow meets native savages who turn out not to be so savage and finds that the civilized Europeans are not quite as civilized as perhaps they once were. Unchecked authority in a vast “God-forsaken wilderness” can show the true motives of the heart of a man in command (13). Power without restraint reveals the dark side of man’s heart who is not subordinate to the civil pressures of society or to the authority of another human being.

Tuesday, September 7, 2010

Who is savage, Who is Civil?

     Racial stereotypes and power determined who was savage and who was civil in Joseph Conrad’s book, Heart of Darkness. Marlow, captain of a steamboat in the deep wilderness of the Congo, tells of his journey, but more specifically of his encounter with the indigenous tribes of Africa. Throughout the book, Marlow and his crew come in contact with different natives, who are thought to be cannibals. Based off of his own culture, Marlow perceives the African tribes as uncivilized and his self and his people as intelligent and civilized. Who decides what is and isn’t civilized?
     As Europeans entering the Congo’s wilderness, they could not but help to think that in terms of social classes, they were much more advanced, intelligent, and powerful than the Congo natives. This mind set relates to treatment the Europeans gave to native tribes. The indigenous people were taken and enslaved as workers of the land and used until worthless (17). The Europeans used the “savages” at their disposal, only feeding them the bare minimum while still working them all day (15). Since they were assumed savages, or cannibals, based on the Europeans culture, they were treated accordingly, with chains around their necks like animals, “…each had an iron collar on his neck and all were connected together with a chain whose bights swung between them, rhythmically clinking.” (15). The Europeans dictated who was and who was not civil, and treated those surrounding them accordingly.
     Due to Marlow’s dehumanization of the natives, he reduced their kind to almost a type of object. As if the tribal people were machinery at their expense or as if they were just wild animals. At one point, Marlow’s steamboat comes under attack from a native tribe. Marlow describes what he saw, “…I made out deep in the tangled gloom, naked breasts, arms, legs, glaring eyes-the bush was swarming with human limbs in movement…” (45). He portrays the Congo natives as wild animals, lurking amongst the wilderness, ready to attack.
     While under attack by the native “cannibals”, the only fire arm on the boat was taken and used without permission. A “red-haired pilgrim” originally in terror shock from the natives’ affliction, sprayed the bank with bullets in hopes of hitting a savage. The pilgrim later brags to Marlow, “We must have made a glorious slaughter of them in the bush. Eh? What do you think?” (51). He was proud of his cowardly accomplishment of killing many native tribal people. The pilgrim expresses the death of the “savages” as a “glorious slaughter”. Killing a savage was like a game, or an achievement, so brag about.
     Who sets the standards and boundaries of what is and what is not “civilized”? The basis for civil and uncivil is perceived in the eye of the culture, or the society. Throughout the Heart of Darkness, the Europeans journeying through the Congo are seen as the human beings in the right. But the real message shows that Marlow, and the other Europeans are in the wrong, by ravaging another peoples’ land and slaving and killing their people at will for personal gain. Those who came to save and civilize the savages, in the end, became the savages themselves.

Work Cited


Conrad, Joseph. Heart of Darkness. Ed. Paul B. Armstrong. W. W. Norton: New York, 2005