Tuesday, November 16, 2010

An Intense and Emotion Climax: Psihoyo's Documentary The Cove


Marianna Ford
English 105
Professor Timmons
November 15, 2010
An Intense and Emotion Climax: Psihoyo's Documentary The Cove
            In Louie Psihoyos’s 2009 documentary The Cove he reveals the reality of dolphin cruelty on the coasts of Taiji, Japan. Throughout the film Psihoyos highlights the intelligence of dolphins, the effects of captivity on dolphins, and the results of mercury poisoning from dolphin meat to prove that the capturing and killing of dolphins in Taiji is wrong on many levels. Psihoyos leads the viewer to appreciate dolphins for their intelligent minds and playful spirit which encourages the viewer to grow fond of dolphins therefore making the climax of the movie personable. By using revealing imagery and sounds of dolphins in Taiji’s hidden cove Psihoyos helps to build dramatic tension in the climax of the movie. The combination of the viewers’ appreciation for dolphins fostered by the ideas Psihoyos presents and the imagery and dolphin sounds shown in the hidden cove Psihoyos creates an intense and emotional climax that proves to dissatisfy the viewer.
            Psihoyos shows clips of dolphins interacting with people and vivid images and sounds of dolphins enhance the emotion and intensity in the climax of the film. At one point in the film a clip of a free diver is shown swimming with wild dolphins in the ocean. The diver discusses the interaction between her and the dolphin describing the dolphins’ mannerisms as curious and playful. Later in the clip the dolphin comes close to the diver rolling on its back allowing the diver to rub its stomach. The connection in this clip between humans and dolphins develops a new sort of attachment and appreciation in the viewer for dolphins which helps to build a dramatic climax. At the beginning of the climax Psihoyos uses clips from an underwater camera which had captured the dolphin noises and color of the water in the hidden cove. Not only does this camera help to reveal the bloody massacre of dolphins in Taiji it also helps to build intensity in the climax of the movie. The underwater camera shows the blue ocean water turn to a dark murky red while at the same time the noises of the dolphins turn from normal to a loud, panicked noises. This clip helps to build the intensity in the climax because it affects the viewer emotionally through the horror and alarm in the dolphins’ communication and the images of the natural blue water turning to an unnatural red color.
            Through helping to foster a sort of attachment between the viewer and dolphins Psihoyos helps enhance the emotion in the climax which is the revealing of the dolphin slaughter in the hidden cove. By showing footage of an underwater camera in the cove Psihoyos exposes the harsh realities which occur in the cove. The intensity of the film captured on the underwater camera helps to build an emotional climax for the viewer. While the climax is powerful it also proves to be dissatisfying to the viewer because the climax reveals the truth: that thousands of dolphins are killed in Taiji’s hidden cove each year.

Sunday, November 7, 2010

Koyaanisqatsi Illustrates Modern Life: An Unchanging Pattern


Marianna C. Ford
Biology 131
Professor Timmons
November 7th, 2010
Koyaanisqatsi Illustrates Modern Life: An Unchanging Pattern
            Godfrey Reggio’s film Koyaanisqatsi made in 1985 uses clips of current technological advancements to show how it has conformed modern day society into the homogeneous patterns of everyday life. Using profound clips of the beauty of nature and of the expansions of technology Reggio leads the viewer to see that humanity has become unknowingly dependent on technology.  Koyaanisqatsi is a unique film due to its lack of dialogue but powerful in the sense that the audience can draw their own conclusion from the astounding yet unchanging clips of daily life. Reggio uses scenes of technology at work and of highly developed functioning cities to show how modern day life has become homogeneous and to prove that society has become too dependent on inventions that have and can fail.
            In Koyaanisqatsi Reggio uses the juxtaposition of film clips to show how modern society life has fallen into an unchanging pattern. The homogony of life expressed in the movie is best conveyed in the scene that takes place in a factory where twinkies are made. This scene shows women working in the factory whose job is to move the twinkies from one conveyor belt to the next for packaging. The workers movements during this clip are unchanging and all in sync. This part of the movie captures the harmonized actions and daily routines of present society. The idea of the unchanging routines of life from the scene of the twinkie factory can be used as a parallel to another scene from Koyaanisqatsi which captures highway traffic in a developed city. The clip of traffic records hundreds of cars moving at high speeds in condensed areas. The streams of cars are moving in harmony, all in the same direction, and appear to be an unending flow of vehicles in this scene.  Reggio uses the twinkie factory scene and the seemingly endless line of traffic scene to show how modern life has become like an unchanging pattern.
            Throughout the movie Reggio highlights many of the inventions of man in daily use. During the last scene of Koyaanisqatsi Reggio returns to the first clip of the movie which was a zoomed in view of a rocket ship: a new invention. The scene shows the rocket before takeoff and then captures the launching. Unlike most of the other clips from the movie the shot of the rocket departure was at a normal speed for the viewer to really catch the essence of the scene. As the rocket, named the Challenger, climbs higher into the atmosphere an unexpected tragedy occurs in the clip. The rocket bursts into flames and explodes. The rest of the scene captures the burning rocket as it spirals back down towards earth. After showing the numerous clips of modern technology at work and functioning as intended Reggio ends Koyaanisqatsi with an invention, the rocket, failing. Reggio shows that while life has become more efficient due to inventions, those inventions that make life easier can still fail.
            Reggio’s film Koyaanisqatsi illustrates how the industrialization of cities and society has transformed life into a repetitive action and how even though new technologies have simplified daily life, technology can still fail. By comparing scenes of monotonous work in factories and daily functions of the public like driving in highway traffic Reggio shows how the industrialization in society has brought about a homogeneous way of life. While these inventions and technologies have made life easier yet unchanging they have also proven to be unreliable. The lack of dependency that has come with these new inventions has led to tragedy in society which was exemplified in the movie with the failed launch of the rocket ship the Challenger. Koyaanisqatsi shows the functions of new technology in daily life and the effects it has on society.

Wednesday, October 27, 2010

The Growing Threat of Piracy and Terrorism in Somalia: Who Will Subdue It?


Marianna C. Ford
English 105
Professor Timmons
October 26, 2010
The Growing Threat of Piracy and Terrorism in Somalia: Who Will Subdue It?
            Somalia’s recent corruption has proven that piracy is not just the theme of a movie we pay to watch in the movie theaters but rather a frightening reality currently taking place in the oceanic shipping lanes off the coast of Somalia. Although the issue does not just end with piracy but continues to escalate with the growing threat from the terrorist group the Shabab, who has connections to the Al Qaeda, joining with the pirates. While the situation may seem controllable another problem presents itself: Somalia’s government does not have the means to constrain the piracy or terrorism. One may wonder why this should concern anyone not living in Somalia. There are many reasons as to why people living thousands of miles away should be concerned. Firstly the pirates attack other country’s ships that may sail off the coast of Africa’s horn. Secondly governments of other countries may be potentially involved in controlling the piracy and terrorism. Thirdly with recent signs of the pirate forces and Islamic terrorist groups in Somalia joining powers the terrorism threat to the rest of the world will strengthen. Now the question has become obvious to other nations in the world. That is since Somalia does not have the resources to control the piracy and terrorism in their own country then who will? The United Nations has given the opportunity for its members to help manage the radical groups of Somalia but members have remained idle in efforts to invade and combat those groups (Axe). The piracy and terrorist threats in Somalia have proven to be out of their government’s control. There is a need for members from the United Nations of a more abled country’s government and armed forces to take action before the Islamic terrorist groups and pirates gain a strong hold in Somalia and potentially the surrounding areas or even further.
            The increase of piracy in Somalia affects other countries by holding their ships hostage for a ransom. Up by 200% from 2007, the year 2008 proved to be a “banner year” when pirates took a foothold off the coasts of Somalia with 120 attacks and 100 million dollars in profit from their piracy (“Piracy”). The obvious and major issue with these facts is that the pirates are putting other countries and their people at risk and are taking millions of dollars from other nations. One would think that serious strides would be taken by member of the United Nations to control Somalia’s piracy after pirates profited 3.2 million in ransom money from a Ukrainian freighter carrying tankers and hefty artillery was seized in September 2008 off Somalia’s shores (“Piracy”). Mohommad, a pirate who assisted in the hijacking of the Ukrainian ship testified that he personally man $250,000 off of that single attack (Gettleman, “Somali Town”). Should a criminal from a country whose government does not have the means to control their own delinquents be profiting at the expense of other countries? The apparent answer is no but if Somalia cannot restrain its piracy then another more abled country must do so.
            Members of the United Nations need to take part in helping to control Somalia’s piracy because Somalia’s piracy has been organizing a stronger and better equipped armed forces. Recently the pirates have become better armed leading to in an increase of attacks since 2007. Rather than striking smaller more vulnerable ships as the pirates have been, they are now attacking massive cargo ships. Due to more powerful weapons, faster boats, and more detailed reports of ships locations, Somalia’s pirates have become brave and siege larger and more prestige ships, including attempts at cruise ships (Axe). In David Axes article 10 Things You Didn’t Know About Pirates he comments on the pirates endeavors to attack cruise ships: “With cruise ships carrying as many as 2,000 people, there’s no way pirates would be able to conduct an orderly capture. Things might get out of hand; and that, officials say, is when people get hurt” (Axe). In account of the Somali pirate’s militia force the United Nations needs to act quickly before innocent people are harmed.
            One may wonder how such menacing and ruthless pirates are able to operate such attacks on ships off the east coast of Africa without being persecuted by the law. The truth is that where these pirates work there is no law (Axe). The area where the pirates operate is in Somalia’s territory and because Somalia’s government is so dysfunctional disorganized there are no laws enforced against the pirates. This means that even when pirates are captured, no matter by who, there is no solid method to persecute them (Axe).  If members of the United Nations invaded Somalia in hope to restore and promote a stabilized government and court system these pirates could be brought to justice. As other nations we should not let the weakness of another country’s government put our people at risk or rob us of our money. Members of the United Nations need to take the opportunity that has been presented and help to control the chaos in Somalia caused by lack of a stable government who cannot persecute the pirates wreaking havoc.
            Somalia’s government is currently in a “transitional” state making it so weak that it controls only few blocks of the capital in Mogadishu, Somalia (Ibrahim and Gettleman). Unfortunately the country is primarily ruled by the Shabab. The Shabab is “a group of radical Islamist rebels who have sworn allegiance to Al Qaeda” according to a recent article in The New York Times Online (Ibrahim and Gettleman). The current and “ultimate” goal of the Shabab was defined by a news report in The New York Times Online: “The Shabab have also vowed to crack down on a popular mobile money transfer service in Somalia, saying it is a threat to the Muslim-owned economy, even though the money transfer service, which many Somalis use to pay bills, is owned by Muslim Somalis” (Ibrahim and Gettleman). While Somalia’s government is completely against the work of the Shabab and does not condone their efforts to gain control of Somali government and economy, the Somalis government does not have the resources or power to suppress and subdue the Shabab. The world has become well aware, especially since the year 2001, that terrorism is on the rise. It is detrimental that members of the United Nations do their part in effort to control and minimize the amount of terrorism activity before anymore disasters occur like those of the September 11th plane crashes and like the current control the Shabab has in Somalia.
            If Somalia did not already have enough problems within its country including lack of a functional government and threats from piracy and terrorism, Somalia is now at risk of threats from a combined group of pirates and terrorists (Gettleman, “In Somalia”).  This adversity came about when the Shabab and another militant Islamist group vowed to shut down a pirate region on the coast called Xararheere. Jeffery Gettleman reports the fusion of these two precarious groups in The New York Times Online: “The militant Islamists had originally vowed to shut down piracy in Xarardheere, claiming it was unholy, but apparently the money was too good. This seems to be beginning of the West’s worst Somali nightmare, with two of the country’s biggest growth industries — piracy and Islamist radicalism — joining hands” (Gettleman, “In Somalia”). Separately the effects of each of these groups have been highlighted and proven to be destructive. Individually each is harmful but if piracy and terrorism joined forces and resources in Somalia the combination could be devastating. Therefore if one of these rebellious groups or both of them are not controlled they could wind-up not only affecting Somalia in a more detrimental way but could also begin to affect the rest of the world. For the safety of not only Somalia and their people but for the rest of the world; the United Nations needs to make strides in effort to control the expanding bond of the two dangerous groups: Somali pirates and the Shabab.
            While the idea that United Nations should help the fight against the Shabab and piracy in Somalia there is also the view that this struggle or conflict is not the United Nations to fight. This idea has been present in many wars for the notion that countries should not get involved in wars that are not theirs to fight. In essence the conflicts that Somalia is currently dealing with are not the United Nations problem; therefore the United Nations should not become involved. Jason Ditz wrote an article on Antiwar.com addressing the issue of the need of aid in Somalia: “Uganda currently provides the majority of the 7,000+ AU soldiers in Somalia, struggling to back the self-proclaimed government in its attempts to control more than a few city blocks along the coast in Mogadishu” (Ditz). Though some argue there is a need for more help in the fight against terrorism and piracy in Somalia; it is apparent there is already assistance there. Thus there is no need for any further involvement of the United Nations in the effort to pacify the rebellion from Somalia’s piracy and terrorism from the Shabab.
            Though there are already soldiers from Uganda helping to fight off piracy and terrorism in Somalia the amount of soldiers is obviously inadequate for the need considering piracy and terrorism are still on the rise. Since the early 1990s piracy in Somalia has proven to be dangerous to any ship in the trading lanes off the coast of the African Horn. Not only is piracy a physical threat to any vessel or person that sails off Somalia’s coast but it also hits other countries and companies financially by the millions of dollars demanded to be paid as a ransom for their people held as hostages by the pirates. In addition to Somalia’s piracy is the growing threat of terrorism from the Islamic terrorist group the Shabab. The Shabab have kept Somalia’s inoperative government from developing as it should by their efforts and hopes to be the government. As if Somalia could not get in a worse position there have been recent signs of Somali pirates and the Shabab joining sides and sharing resources. Due to recent terrorist attacks seen around the globe the rest of the world is well aware of the potential effects of terrorism. The problem presents itself that either the weak dysfunctional Somali government tries to subdue the growing piracy industry and Shabab terrorist clan or members of United Nations assists them in the efforts to do so before the terrorism becomes uncontrollable.
           

 















Works Cited

Axe, David. "10 THINGS YOU DIDN'T KNOW ABOUT SOMALI PIRATES." Current 513   (2009): 31-33. Academic Search Complete. EBSCO. Web. 26 Oct. 2010.
Ditz, Jason. "UN Eyes Proposal to Fund Massive Somalia Escalation." 6 October 2010. Antiwar.com. 26 October 2010 <http://news.antiwar.com/2010/10/06/un-eyes-proposal-to-fund-massive-somalia-escalation/>.
Gettleman, Jeffery. "In Somali Civil War, Both Sides Embrace Pirates." 1 September 2010. New York Times. 5 October 2010 <http://www.nytimes.com/2010/09/02/world/africa/02pirates.html?_r=1&scp=5&sq=somalia%20pirates&st=cse>.
Gettleman, Jeffery. "Somali Town Embodies Enduring Sense of Loss ." 15 September 2010. New York Times. 5 October 2010 <http://www.nytimes.com/2010/09/16/world/africa/16somalia.html?scp=3&sq=somalia%20pirates&st=cse>.
Ibrahim, Mohammed and Jeffery Gettleman. "Somalia Government and Allies Attack Insurgents." 18 October 2010. The New York Times. 25 October 2010 <http://www.nytimes.com/2010/10/19/world/africa/19somalia.html?ref=somalia>.
"Piracy at Sea." 2010 September 2010. New York Times. 4 October 2010 <http://topics.nytimes.com/top/reference/timestopics/subjects/p/piracy_at_sea/index.html?scp=2&sq=somalia%20pirates&st=cse>.


Saturday, October 23, 2010

“Apocalypse Now”: “Heart of Darkness” in a Relevant Context


Marianna C. Ford
English 105
Professor Timmons
October 20, 2010
“Apocalypse Now”: “Heart of Darkness” in a Relevant Context
            Francis Ford Coppola’s 1979 Hollywood movie Apocalypse Now Redux, a spin off of the nineteenth century novella Heart of Darkness written by Joseph Conrad, takes place in Vietnam during the Vietnam War as opposed to the novella’s setting in the African Congo.  By using a different context and time period for the setting of the movie Coppola gains a number of advantages in his production as opposed to using the original placement that the novella was written in. Since only four years had passed since the end of the Vietnam War the feelings of American’s towards the war were still fresh in audiences’ minds.  Coppola gains artistic recognition by using a different setting for his movie Apocalypse Now Redux because not only was the Vietnam War setting more relevant to viewers of this time period but also because Coppola is able to avoid the racial issues in the setting of Heart of Darkness.
            One attribute of a movie that is important in captivating an audience is having a component of the film that the viewers can relate to. Coppola’s decision to put the movie in the setting of the Vietnam War was a choice that would intrigue people to view his movie because the emotions and opinions on the war were still at the front of Americans’ mind. The connection between the Vietnam War setting and the ravaging for ivory in the Congo from Heart of Darkness both relate in the sense that it was a controversial event from the time in history. The Vietnam War had stirred up many rebellions in the United States for notion that it was inhumane and for the idea that it was not America’s war to fight. The majority of viewers disagreed with American’s work in the war therefore the highlights of cruelty in Vietnam in Apocalypse Now Redux gave spectators incentive to watch the production.
            Heart of Darkness is known for its creative writing style and better known by some for its racial inuendos which distract from its artistic writing. Because Coppola’s choice to set the movie in a more modern situation that did not touch on as many ethical questions of racism as Heart of Darkness did, he avoided the conflicts of such a sensitive subject. By choosing to use a setting that did not encounter racial issues Coppola’s movie gains recognition as a work of art because the focus does not get caught on racism but rather on the style and storyline of the movie.
            Coppola’s movie Apocalypse Now Redux follows the story line of Heart of Darkness but rather uses a different time and setting for the story to gain credibility with viewers.  Through using a less racially controversial situation and a setting in which the audience was greatly interested and still passionate about helped the movie to gain artistic recognition. Coppola’s choice of setting enabled him and his movie to avoid the racial accusations that have plagued Heart of Darkness.  While the movie was created in a different location it still captures the artistic essence for which the novella is renowned. Apocalypse Now Redux also relates to the audience of the time in which it was produced through a setting common to their generation that avoided the racial conflicts that Heart of Darkness did not hence gaining it credit as a work of art.